Jean-Michel Jarre put out a hauntingly beautiful electronic album in 1976, Oxygene. One section of this album had a repeating surf sound: a sweep from the right to the left audio channel, a pause, and then a deep crash in the right channel. After another pause, this cycle repeated many times. Very relaxing to listen to. This sound generator plug-in will emulate that surf cycle, in either mono or stereo. Start a new session of Audacity. To generate stereo surf, first open a blank stereo track (ALT, P, S in Audacity pre-1.3, ALT, T, N, S in 1.3 and later). Open the generate menu. Click on “Surf [Oxygene]”. Parameters: 1.Surf output: [1=mono 2=stereo] To generate mono or stereo Oxygene surf. 2. Stereo spread: [stereo only – percent] If you’ve chosen to generate stereo Oxygene surf, this setting will determine how widely the surf sweeps away from the center pan position. From +100 percent to -100 percent. Positive values make the sweep section go from the right to the left, with the crash in the right. Negative values reverse this pattern. 3. Fade-in and fade-out times: [seconds] Time to fade in and fade out the volume at the start and end of the surf, if you wish. 4. Number of Oxygene surf cycles: How many Oxygene surf cycles to generate. 5. Surf type: [0=white noise 1=pink noise] White noise is a higher-frequency “hissing”, whereas pink noise is a lower-frequency “rushing” sound. 6. Sweep starting filter frequency: [Hz] 7. Sweep ending filter frequency: [Hz] The above two parameters set the starting and ending frequencies for the lowpass filter to sweep the sweep portion of Oxygene surf. A lowpass filter allows frequencies below a certain value to pass, while frequencies above that value are attenuated, or reduced in volume. 8. Sweep duration: [seconds] This sets how slow or fast the sweep portion of Oxygene surf takes. 9. Post-sweep silence duration: [seconds] Duration of the silence after the sweep. 10. Crash filter frequency: [Hz] The lowpass filter frequency of the crash. 11. Crash bass frequency boost: [dB] How much to increase the volume of the above filter frequency and below. 0 dB means no boost, 6 dB means double the amplitude of this bass frequency, and so on. 12. Post-crash silence duration: [seconds] How much silence before the Oxygene surf cycle repeats. Notes: If you get an error message “Nyquist returned too many audio channels”, this means you tried to generate stereo surf without having first opened a blank stereo track in Audacity. See instructions at the top of this help file on how to do this. In the original Oxygene, reverb was applied to the surf, giving it a more expansive sound and feeling. If you want to have reverb added to Oxygene surf, you need to apply it yourself after the surf sound has been generated. There’s “GVerb” already in the Audacity effects menu, and many people use Anwida’s free VST reverb plug-in.
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A stereo surf sound, generated by repeated sweeping the volume of one channel down or up and pausing. This sound will fade-in or fade-out as specified. Solo, remix or patch: To solo this track, first select the Track menu (not the menu above) and click “Save as”. In the resulting dialog box, choose a file name, a location on your hard drive, a folder and a file format. Then click “OK”. The new track should be placed in the same window where you made the “Save as” selection. To patch this track to a groove, first select the “Apply automation” tool on the Groove menu. Then drag the automation points to the beginning of the song (the first time the track plays), or to the first note of the song, or some other appropriate place. When you’re happy with the automation levels, click “OK”. The automation points move into the groove, and “Apply automation” should now be greyed out. Click on “Update volume”. Now the volume curve has been dragged into the groove, and the automation levels will stay until you manually update them. SoundEdit: SoundEdit is a free cross-platform audio editing tool for Windows, Mac and Linux which is fast, intuitive and easy to use. Simply drag your sample or MP3 file into the program’s main window and a lot of the editing process is done for you, letting you focus on the music. You can have multiple tracks, arrange and edit samples in different ways and apply plug-ins. Installation: Download and unzip SoundEdit to your hard drive. Go to Start > Programs > SoundEdit 7.5 (or SoundEdit 1.5 in pre-1.5 versions of SoundEdit). Click “SoundEdit Icon”. This will start the program. Click “Read me” and “Exit”. Click “OK” and then “Install”. SoundEdit should now start automatically every time you double-click the SoundEdit Icon. For more details see the SoundEdit 7.5 (or SoundEdit 1.5 in pre-1.5 versions of SoundEdit) help file. Credits: SoundEdit is a product of 3ddesign AB, a company in Sweden that develops and sells Audio Plug-ins for all known audio production applications. Playlist: 1. Vibe (Vinoir) – [Slow Surfer] 2. Ghostdancer – [Ghostdancer – Part 1] http
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In that document you’ll find the contents of an actual tape of an actual recording made by the master of the Oxygene project: Christophe Otrott, a Belgian sound designer who worked for a long time at the Atelier de Recherches et de Sémiologie Acoustique du Centre National de la Recherche Scientifique (CNRS) and Atelier D’Enfants in Paris, France. Christophe Otrott is an audio hermit, introvert, lover of delicacies such as sea cucumber, who has been trying to find the perfect sound for people in need of relaxation for 30 years. He tried his hand at a generation program that turned out to be unexpectedly popular, and has produced several albums of his own music, most of which have been released on vinyl record. He’s also a passionate vinyl record collector. Otrott has been keeping The Sweetness Archive of Surrounding Sounds (SASS) website for years, and it’s home to some of the most beautiful ambient soundscapes you’ll ever hear. For free downloads of more than 1000 tapes, visit: If you like what you hear, consider subscribing to his newsletter to get the latest version of all his music, or just go to his website to become a member, which gives you access to all his music, as well as a forum where you can post your own music, and have feedback from Christophe. Alchemy Ozone 1 v1.3.1 is now available! Alchemy Ozone is a second-person fantasy gaming audio engine from my game, The Great Wheel of Time. It places your avatar in a fully navigable virtual 3D environment, with real-time gameplay. There are different game play modes. There are many quests and puzzles to solve, from finding ingredients to decrypting codes. There are two game options; one for beginners to game and one for those already familiar with game play. Alchemy Ozone is compatible with most VR systems. It was originally designed as a VR game, but the gameplay is still the same and the immersion is far greater. This is also a great audio experiment that I put in place to test my narrative designs and immersion capabilities. Enjoy! 91bb86ccfa
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The process is identical to the Surf plug-in, except that the volume of the post-sweep silence is “looped” back to the start of the Surf so that it doesn’t repeat immediately. If you want to generate the pre-surf “hissing” effect, you can use the Surf plug-in after it has been run (see step 1 above), and then you can fade the volume back down to 0 over the duration of the Surf. Credits: This surf sound generator was created by Mike Nowak on August 26, 2001. In memory of Mike Nowak, who died on September 23, 2005, the program was put on hold until a future release of Audacity. Nowak’s music is like ambient odyssey, like music to be driven with the eyes. He can create very dramatic, emotionally charged pieces or instruments he made that is almost ambient. He plays the flute or the English horn, and he uses very melodic music and a little bit of jazz improvisation. He can make anything sound very beautiful. Mike was also very gifted on the electronics, and he had a huge library of instruments and effects already set up in his computer. The “Electronic Ambience Mix” on the Oxygene CD was made by Mike Nowak. This is a very detailed program, and it’s certainly worth the time spent reading through the help file. If you want to know how it works, it’s a complicated process, but the details are explained. It should work on Windows 98/ME, 2000/XP, and Vista. The “Nyquist” error message means that your computer’s audio interface doesn’t support “complex” audio, or that it doesn’t support the maximum number of open audio channels specified in the parameter “playback”. If this happens, don’t panic. Open Audacity, and open up your audio interface and tell it to use a buffer size of at least 0. This should clear the error message. Now you’re ready to start surfing. The process of surfing is detailed in step 2 above. Make sure you use at least a 64-byte audio sample buffer and set your “playback” and “playback channel count” to maximum (the number of audio channels available for playback). When you surf, set the “playback stereo spread” value to 100 percent (or -100 percent if generating mono). Use this to make a selection into an undoable group. WARNING: Do NOT use
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Oxygene (Oxygen generator) is a real-time electrochemical oscillator. Sounds produced by Oxygene are wavetable and don’t have any samples in them. Effects can be applied, and several input parameters can be controlled, but the sweep is the only sound output and it has a fixed number of oscillation cycles. The Surf parameter is a slider which varies in pitch between +100 cents to -100 cents. Each time the value changes, the Surf parameter will generate a new wave-table pattern. The Surf ‘Effect’ parameter allows you to specify a frequency of noise and, optionally, to control the rate of the sweep in hertz. The more cycles the Sweep parameter specifies, the more shallow the sweep will be. You can choose from four different Sweeps: a) White Noise b) Pink Noise c) Pink Noise with Noise d) Pure Pink Noise Each of these sweeps has a different pitch and duration. The first time the Surf parameter is set to White Noise, the Sweep will be set to 1 cycle and the Surf Effect to a frequency of 10 Hz. The rate of the sweep will be 1 cycle per second. When the Surf parameter is set to White Noise and the Sweep parameter set to 2 cycles, the Surf Effect will be set to a frequency of 20 Hz, the sweep rate to 1 cycle per second, and the post-sweep silence duration to 50 milliseconds. When the Surf parameter is set to White Noise and the Sweep parameter set to 3 cycles, the Surf Effect will be set to a frequency of 30 Hz, the sweep rate to 1 cycle per second, and the post-sweep silence duration to 20 milliseconds. When the Surf parameter is set to White Noise and the Sweep parameter set to 4 cycles, the Surf Effect will be set to a frequency of 40 Hz, the sweep rate to 1 cycle per second, and the post-sweep silence duration to 10 milliseconds. When the Surf parameter is set to White Noise and the Sweep parameter set to 5 cycles, the Surf Effect will be set to a frequency of 50 Hz, the sweep rate to 1 cycle per second, and the post-sweep silence duration to 5 milliseconds. When the Surf parameter is set to White Noise and the Sweep parameter set to 6 cycles, the Surf Effect will be set to a frequency of 60 Hz, the sweep rate to 1 cycle per second, and the post-sweep silence duration to 1.5 milliseconds. When
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